BKHWBCPH.RVW 20020605 "How We Became Posthuman", N. Katherine Hayles, 1999, 0-226-32145-2, U$49.00 %A N. Katherine Hayles %C Chicago, IL 60637 %D 1999 %G 0-226-32145-2 %I University of Chicago Press %O U$49.00 marketing@press.uchicago.edu %P 350 p. %T "How We Became Posthuman" It is ironic that literature has a prominent place in the subtitle (Virtual Bodies in Cybernetics, Literature, and Informatics) and the material in this book. The writing is dense and sometimes almost unreadable. Unlike many books with such a writing style, this does not indicate a lack of ideas: rather the reverse. A number of concepts tend to be implied by the wording, although few are actually supported. Chapter one, while it does not provide us with a solid definition of posthuman, does present a number of characteristics of the term. Information is vital (while the material is immaterial), conciousness is irrelevant, the body (any body) is a replaceable prosthesis, and the human and computer are interchangeable. Interestingly, the text dances around, but never actually examines, the classic "soul good/body bad" dualism. The assertion is made, in chapter two, that literature is informed and molded by the form of the writing, but supporting arguments are unclear. The Macy cybernetics conferences are reviewed in chapter three, which also outlines intriguing material on the technically unwarranted prominence of neural nets in artificial intelligence research. Hidden in the analysis of Weiner's work and thought, in chapter four, is the striking notion that he saw all information as analogous (and therefore suspect) while accepting and using the rather imprecise analogies from thermodynamics and entropy. Chapter five seems to look at speech or text as a kind of prosthesis: a "false limb" of communication. The idea of life as "organization" is examined in chapter six. From my background in the field of virus research, this idea is problematic: how specific do we get in differentiating types of life? Generally speaking, researchers say that one virus is distinct from another if there is a difference of one bit. So much fiction is involved with all the discussions, that a chapter, seven, on the work of science fiction writer Philip K. Dick is unsurprising. Chapter eight proposes that "embodied" knowledge is somehow unique and affected by its embodiment since it is hard to describe. Again, what do we do about the field of psycholinguistics, since kinesthetic knowledge has no words? Chapter nine talks about artificial life. Four novels are analyzed, in chapter ten, on the basis of a semiotic square flawed by having orthogonal axes. Finally, there is a conclusion without conclusions in chapter eleven. While some interesting ideas are presented in the book, it is extraordinarily demanding of the reader. The glacial pace and requirement for intense concentration seem less arbitrary and calculated than in other, similar, works, but still appear to be aimed at some "in group" rather than the general public. A bit of effort in terms of readability and an attempt to make the work more accessible to non-specialists would increase the value substantially. copyright Robert M. Slade, 2002 BKHWBCPH.RVW 20020605